Crafting Spaces and Shooting Street Scenes
Plus: Capturing NYC Subway Life Candidly & More
Jeff Tan
December 18, 2025
"Photography is the simplest thing in the world, but it is incredibly complicated to make it really work." — Martin Parr
Greetings Composition Masters,
In this issue, we explore the art of seeing beyond the surface, whether it's through Saul Leiter's winter reflections or the vibrant patterns of Sweden's archipelago. You'll discover how to capture the essence of urban life, from the bustling streets to the quiet subway, and even transform real estate into inviting narratives. It's all about finding beauty and stories in unexpected places.
Capture winter's quiet poetry like Saul Leiter, using soft light and urban reflections. Discover how layers, color, and abstraction can transform your cityscapes into nostalgic frames that echo the serene beauty of bygone streets. TAKE A LOOK →
The street offers endless stories, waiting for a photographer's keen eye and quick reflex. Observing life's unfolding moments with trust and intention creates truly compelling images. TAKE A LOOK →
Elevate your perspective with Bernhard Lang's aerial lens, where Sweden's archipelago unfolds in vibrant patterns unseen from the ground. Discover how the interplay of color and form transforms these islands into a visual symphony of nature and human touch. TAKE A LOOK →
Real estate photography isn't just about wide lenses and sturdy tripods. It's about capturing space with light and precision. Mastering exposure bracketing and dynamic range can transform interiors into inviting frames that sell more than just walls. TAKE A LOOK →
In the dim light of the subway, Chris Maliwat's iPhone lens finds stories in the unguarded moments of commuters. His candid frames reveal the raw, diverse tapestry of life underground, where every glance and gesture speaks to resilience and shared humanity. TAKE A LOOK →
"A portrait is not made in the camera but on either side of it." — Edward Steichen
Tomorrow: Discovering new visuals by layering multiple exposures in camera.
— Jeff
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